It is currently Thu Mar 28, 2024 12:32 pm




Post new topic Reply to topic  [ 5 posts ] 
 Option B: Play from scores, study from texts 
Author Message
Site Donor
Site Donor
User avatar

Joined: Sat Dec 22, 2007 5:50 pm
Posts: 421
Location: Santa Rosa, CA
Post Option B: Play from scores, study from texts
Many new players are anxious to get out there and perform as soon as possible. SE offers materials to get them started using chord diagrams.

Others lurking here may aspire to play from the vast keyboard literature available for the Stick--or even to study music on the instrument. I would like to confirm that with a certain instrumental setup and tuning*, most piano method books and all theory books work as if they were written for the Stick.

Here are some particularly useful ones:

Alfred's Group Piano For Adults
This program collects exercises, repertoire, and theory into 30 weekly lessons. It was designed for non-keyboard music majors but it starts at the very beginning. Classes in ear training and sight-singing (Musicianship 101 at your local JC) will help you master this material.

Jazz Piano by Mark Levine
Once your reading is good enough, you can start on a jazz method book like this very popular one. Some of the left-hand chords must be abridged for stickists but that's not a problem. Much of the book is playable as written.
And then there is--

Tonal Harmony Pro 5 app for iPad
A clever graphical interface to help you navigate the tonal harmony map. Each chord here has five possible voicings, so when you connect the chords you like, they will be played and written out for you with correct voice-leading. Impressive and very, very useful.

I hope to meet some other "option B" players here someday. It is a legitimate approach, whether SE supports it or not, and it will eventually bring new musical blood to the Stick scene.
Just so you all know what else is out there....


*The SG12 with mirrored fourths is ideal for this purpose.


--Mad Monk.

_________________
SG12/mirrored 4ths 5+7
10-String Grand/Mirrored 4ths dual bass
Railboard/Standard tuning

August, 1983


Sat Nov 15, 2014 10:31 am
Profile My Photo Gallery
Site Donor
Site Donor
User avatar

Joined: Wed May 25, 2011 3:28 pm
Posts: 4105
Post Re: Option B: Play from scores, study from texts
Great advice. You also turned me on to McCoy Tyner's book which is an excellent study.

Good to hear from you MM! I look forward to any opportunity to hear about what you have to share.

_________________
Gene Perry
http://www.geneperry.com
http://www.freehandsacademy.com


Sat Nov 15, 2014 12:15 pm
Profile My Photo Gallery
Elite Contributor
Elite Contributor

Joined: Wed Mar 20, 2013 4:54 pm
Posts: 1633
Location: Hobart, Tasmania, AU
Post Re: Option B: Play from scores, study from texts
MM.! great to see you again, been a while.

This a really good, if not essential topic, me thinks. Like yourself, I've spent a lot of time lurking over more than half a dozen great piano books.

The Levine book is a great resource. The Alfred's group piano lessons, sounds like it would be very helpful in comparison to the reference nature of the Levine book. Well, it's only reference if you can't navigate it...

mad_monk wrote:
Many new players are anxious to get out there and perform as soon as possible. SE offers materials to get them started using chord diagrams.



I hope to meet some other "option B" players here someday. It is a legitimate approach, whether SE supports it or not, and it will eventually bring new musical blood to the Stick scene.
Just so you all know what else is out there....


*The SG12 with mirrored fourths is ideal for this purpose.


--Mad Monk.


The issue you've described here really is, dare I say it, central and a positive challenge surrounding the Stick. On one hand, Emmet has left it up to the individual tastes of the performer to find there own way, which is probably the one thing that makes Stick players so different. Like a Zen pallet. Inevitably though, individuals by some degree or another, are drawn to applying the established pedagogy of piano and other instruments to the Stick.

Thing is there really is so much knowledge hidden in Emmett's free Hands book, that it's easy to overlook it. It does require the student to make a conscious effort to remember what the chords, professions and melodies are, for it to become assimilated into performance and or, with other people.

One way Stickists can own the diatonic mantle AND make it their own is to make up a series of exercises based on established knowledge; from there I can begin to feel like I'm owning the "tools".

Great subject, much to discuss.

Bruv Luv

_________________
Stickrad

https://www.facebook.com/stickradmusic/
https://www.facebook.com/southernstickevents/


Sat Nov 15, 2014 5:13 pm
Profile My Photo Gallery
Multiple Donor
Multiple Donor
User avatar

Joined: Fri Dec 21, 2007 8:02 pm
Posts: 1851
Location: Monona, WI, USA
Post Re: Option B: Play from scores, study from texts
mad_monk wrote:
Many new players are anxious to get out there and perform as soon as possible. SE offers materials to get them started using chord diagrams.

Others lurking here may aspire to play from the vast keyboard literature available for the Stick--or even to study music on the instrument. I would like to confirm that with a certain instrumental setup and tuning*, most piano method books and all theory books work as if they were written for the Stick.

I count myself as someone who uses piano music as a foundation for my learning. I really love playing Bach.

mad_monk wrote:
Here are some particularly useful ones:

Alfred's Group Piano For Adults
This program collects exercises, repertoire, and theory into 30 weekly lessons. It was designed for non-keyboard music majors but it starts at the very beginning. Classes in ear training and sight-singing (Musicianship 101 at your local JC) will help you master this material.

Jazz Piano by Mark Levine
Once your reading is good enough, you can start on a jazz method book like this very popular one. Some of the left-hand chords must be abridged for stickists but that's not a problem. Much of the book is playable as written.
And then there is--

Tonal Harmony Pro 5 app for iPad
A clever graphical interface to help you navigate the tonal harmony map. Each chord here has five possible voicings, so when you connect the chords you like, they will be played and written out for you with correct voice-leading. Impressive and very, very useful.

All great resources, thanks.

mad_monk wrote:
I hope to meet some other "option B" players here someday. It is a legitimate approach, whether SE supports it or not, and it will eventually bring new musical blood to the Stick scene.
Just so you all know what else is out there....

I don't feel it's a matter of whether SE supports this approach. A new instrument that actually has a chance of being around in another 100 years will need lots of different approaches from lots of different people. I feel that's our job and we shouldn't expect SE, Emmett, or anyone else, to try to do everything.

mad_monk wrote:
*The SG12 with mirrored fourths is ideal for this purpose.

I may be the only other one with this combination and it is a wonderful way to make music. I know it seems a bit fringe to most Stick players but the advantages a mirrored 4ths tuning gives us makes it really compelling for me. I'm using what is essentially Rob Martino's tuning adapted for the higher pitched SG12. It makes learning most piano music very straightforward with mostly no compromises. My tuning takes the approach of having the lowest possible notes on the bass side with the melody side set to minimize hand conflicts. Some day I would love a 2nd SG12 that started with tuning the melody side to the highest possible note at that scale length and tuning the bass side to minimize hand conflicts. That would probably be the ultimate Stick for classical music. For instance I would be able to play all the Bach Two-Part Inventions as written instead of a 4th lower. (I can dream of multiple Sticks, can't I?)

There is a lot that can be learned from the vast amount of piano music. For me, a combination of the two approaches MM has mentioned is the most effective learning experience. I want to play fun music for non-musician friends and family. I also want to learn great music from the musical masters who have gone before us. With my limited time for music I'll just keep trying to move forward. If I can keep feeling like I'm a better player than I was a year ago I'll be happy. Even with a few major setbacks that's been true. Just keep playing, eh?


mad_monk wrote:
--Mad Monk.


Thanks, MM, it's great to hear from you. Did you see my First Invention? I'd love to get your feedback.

-Eric

_________________
Rosewood SG12 #5966, Mirrored 4ths
Twitter: @ejknapp
http://ericjknapp.com


Sun Nov 16, 2014 1:15 pm
Profile My Photo Gallery
Elite Contributor
Elite Contributor
User avatar

Joined: Sun May 18, 2014 9:43 am
Posts: 4039
Post Re: Option B: Play from scores, study from texts
...

_________________
GUITAR RULES
https://www.facebook.com/scottsguitarstuffMy FB Page


Mon Nov 17, 2014 10:30 am
Profile
Display posts from previous:  Sort by  
Post new topic Reply to topic  [ 5 posts ] 


Who is online

Users browsing this forum: No registered users and 3 guests


You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot post attachments in this forum

Search for:
Jump to:  

board3 Portal - based on phpBB3 Portal Powered by phpBB © phpBB Group. Designed by Vjacheslav Trushkin for Free Forums/DivisionCore.
Heavily modified by Stickist.com. Stickist.com is an authorized Chapman Stick® site. The Chapman Stick® and NS/Stick™ and their marks are federally registered trademarks exclusively licensed to Stick Enterprises, Inc., and are used on Stickist.com and NSstickist.com with SEI's permission.
Click here for more information.