I own a GT-100 which I use mainly for my guitar, which is basically the GT-001 but with a full pedal board. I think they share the same underlying software/firmware. I'm quite happy with the GT-100, it's a beast and highly configurable. That said, I have found myself lately using computer-based DAWs (e.g., Guitar Rig) more than my pedalboard mainly because of flexibility.

Something I will try as soon as I get my Railboard (this Friday!) is using the send/return channel of the GT-100 as a second input for the stick... This means that, in theory, you wouldn't need two GT-100s for the stick in most cases. I say in "most cases" because I'm not sure the send/return hooks can be placed anywhere on the chain... this is one of the things I want to test with my experiment (which I promised to Gene in one of the FHF sessions).

You turned a weakness into a strength! "I can play this with my eyes closed!" but actually because you can thus visualize the "Hand Space" better. Okay, that's really a strength into a double strength!

adds to jmdacruz: cheers for the FX info and triple congrats on also expecting a new Baby Board! I also use Guitar Rig, and also whatever's onboard Pro Tools (SansAmp, a few others.)

What's going on with the new round of Stickists.!!

All playing like demons. Thanks for the vid Bachdois, I especially like the partially acoustic sound coming off the railboard. That's making me think of the tone as an extension and improvement of the new instrument .

Bravo

Very nice! Good hands also!

Outstanding as usual Rodrigo. I am in the process of upgrading my Temple Audio Duo 24 to a Trio 28 which means 16" more of space. Was hoping to make it work on the Duo 24, but as long as I have the mixer on the board, it wasn't going to happen.

Keep up the great work - I'm a fan for life.

Thank you guys. A special one for you Gene: inspiration, moving force in the stick world and one of the nicest guys in the planet.


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Awesome, man! Really cool! Always inspiring, man!

Yeah, Rodrigo's journey has barely even begun.

It amazes me to see players pick up the instrument so quickly. The rapidity at which he in particular has adapted and bound his talent to the Chapman Stick in so short a time is truly a testament to his musicality and the elegance of the Free Hands methodology.